Tuesday, 30 October 2018

AUDIENCES AND TEXT

Not only creating, but
How we look at existing examples of graphic design work

Audiences 
-      Think about how it comm, who it comm to…
-      What do u do with the existing examples
-      Ideas of audiences 
-      What we intended to translate wont always be the same with what we it is actually being interpreted 
-      Problematic relationship with the client
-      Our job to educate the client 
-      My primary concern should be communicating to the audience more imp than the person whos paying
-      Deconstruction of existing materials ànot only collecting images for inspirations àits about how you approach them, what the point of looking at that, how effective did they comm with those audience 
-      Borrow good discipline make the designer better 
-      Assuming what we thought they mean r what they actually mean 
-      Linguisticsàapply to visual comm
-      Anything that represents sth else àdoesn’t mean the same to audience (reliable?)
-      Cultureàshapes out perspectives of the world àhow we interpret texts n images
-      Very important to place our audience within that frame (culture…)
-      AudienceàNot as a passive receiver
-      When info reached by unintended audience àdifferent effects (may be offensive)
-      Audience centric approach àbranding àbrand loyalty àunderstanding of specific type of audience(consumers) àeasier 

-      Focus on usability 
-      Designers explain to audience on how to use their designs 
-      They define the functionality 
-      Spoke n visual written languages 
-      Gender approach ànegative somehow
-      The awareness of the socially constructed nature of the categories 
-      How diff design approaches can be used in accessibility for audience 
-      Different age groups audience àdifferent approach 
-      Ageàfamiliarity of technology 
-      Not only Social, cultural, but health, physicality context 
-      Personaàtaking a very specific person rather than just thinking about groups 
-      cooperate in interests of diff people (ppl who r visually impaired, language problems)

visual (textual) analysis 
-      Look at type image layout àput them all tgt to make them make sense 
-      How the interaction of types colors and image reflect ideas 

TEXT= everything that communicates
= everything that is visual 
-      How they engage and how they interpret the text 
-      Culture, and significance of culture and context and how people interpret
-      Understand socially where that text àwho it refers to, what situation is it being seen
-      Humoràunderstand the cultural foundation (people engage in humor in a diff way)
-      Easy to fall into common sense of interpretation rather than actual facts and knowledge

Semiotics
-      Framework which is developed in linguistics 
-      Study of science systems 
-      Reduces communication to science systems 
-      Signàmental perception
-      Signifieràimage, written words, spoken words
-      Contextually specific 
-      Connotation and detonation level the meaning 
-      Depends on context which is seen àhow you interpret 
-      Representationàhappens between encoder and decoder
-      Codesàcultural traditions which how certain things are interpreted àgiven (blue and pink àgender) 
-      We use them, but think ethically àavoid producing something negative to any audience
1.    Behavioral
2.    Demographic
3.    Geographical
4.    Attitudinal
-      Age
-      Sex/ gender
-      Race/ ethnicity 
-      Class
-      Occupation
-      Geography (each city has its own vibe, atmosphere, diff areas in the city has its own sensibility)

TASK
Choose an example of graphic design (branding/ editorial)
Analise 
Have a specific audience group in mind
Consider who is the recipient of the piece of communication, how they might interpret it

DAZED Magazine


The audience for Dazed may be a lot more open minded to new ideas of beauty, and experimental with their looks. Most of the audiences would be young adults as DAZED magazine not only talks about fashion, art or other interests, it also touches on cultural issues which is a much deeper and serious topic. 

Putting on thick makeups is one of the most iconic thing about females. With
 the makeups, photos of women usually have red lipstick on and fake eye lashes, with bright coloured eye shadows and dark contouring, shimmering highlights on their cheekbones. However, in this image that was used as one of the covers of DAZED, it is in black n white. The black and white effect not only hided the makeup of the model, but also the skin colour of hers. 

Also, from the features of the model, it is obvious that she is a black, however with the bnw effect applied, everything that should be seen and judged by her face is being hided. 

Without the makeup and the skin colour, we could interpret the model as "naked" and that she is showing her true inner self. Alongside with the words about freedom and how people should speak for themselves on her face, the message of freedom of speech is being delivered clearly and directly, without any colour distractions. 



Tuesday, 23 October 2018

MODERNISM N POSTMODERNISM

Modernism – the shock of the new
Post modernism

THE INDUSTRIAL REVOLUTION – ANDREW MARR
-      Locomotion
-      Railways (transportation) ßstream engines (mechanism, automation) àused in factories (textiles) 
-      Connect places 
-      Work in factories whole day 
New enginesànew society ßchanges (social development)
-      Politically reformed 
-      Fastest social transformation 
-      Country sides àurban factories 
-      1860àcoal, iron industries

Mid 18thcentury – 20thcentury
-      Industries
-      Transportation
-      Distribution of ideas 
-      New technologies produce new technologies 
Late 19th- early 20th
-      Fully established of European and Western technology 

MODERNISM
-      All about technologies, not craft
-      Technologically, socially and politically acceleration of technological development 
-      Industrialization
-      Rise in science àgoes hand in hand with religion 
-      Mass manufacture, distribution 
-      Concentrated populationàcities (factories)
-      Development of trade and capitalism (economic)
-      Colonization
-      Role of science and technology
-      Urbanization
-      Secularizationàreduction of power of the church (religion) àrationality, belief in human perfectibility
-      From religion to science 
-      Mass media
-      Division of labor 23OCT2018

Modernism – the shock of the new
Post modernism

THE INDUSTRIAL REVOLUTION – ANDREW MARR
-      Locomotion
-      Railways (transportation) ßstream engines (mechanism, automation) àused in factories (textiles) 
-      Connect places 
-      Work in factories whole day 
New engines ànew society ßchanges (social development)
-      Politically reformed 
-      Fastest social transformation 
-      Country sides àurban factories 
-      1860 àcoal, iron industries

Mid 18thcentury – 20thcentury
-      Industries
-      Transportation
-      Distribution of ideas 
-      New technologies produce new technologies 
Late 19th- early 20th
-      Fully established of European and Western technology 

MODERNISM
-      All about technologies, not craft
-      Technologically, socially and politically acceleration of technological development 
-      Industrialization
-      Rise in science àgoes hand in hand with religion 
-      Mass manufacture, distribution 
-      Concentrated populationàcities (factories)
-      Development of trade and capitalism (economic)
-      Colonization
-      Role of science and technology
-      Urbanization
-      Secularization àreduction of power of the church (religion) àrationality, belief in human perfectibility
-      From religion to science 
-      Mass media
-      Division of labor 
-      Mass consumption 
àcheaper mass produced objects àaffordable 
Eg. Eiffel Tower
-      Build by engineer, not architect

THE “MODERN” ERA
The impact of industrial revolution
Development of scientific thought 
àresulting social changes in the modernism era
Modernity à18thand 19thcentury

SOCIALLY
Way we thought about life: work, recreation, families, religious practice, communities, shopping
-       Progress away from the burdens of tradition
-       People were actually experiencing Modernity ànotice what was happening (significant)

MODERNISM
-       Changes seen in almost all art forms
-       Cultural output of the Modern Era
-       Not movement, style
-       Massive shift of how people behave
-       Rejecting tradition 
-       Moving forward
-       Embracing technologies

19th-20thCENTURY ART MOVEMENTS
-       Modernist artists and designers are often group under same goals

MODERNISM PROJECT
-       Trying to make the world better by rejecting tradition àpeople can get in together 

PRE-MODERNISM
Pre-impressionism àfocus on lights and shadows 

POST-IMPRESSIONISM
-       Brush strokes 
-       Suggestions shapes 

CUBISM(PICASSO)
-       More shapes, forms 
-       Distortion, new forms
-       Wider context (prostitutes) 
àinvented collage
à1stusing multimedia

FUTURISM *FOCUSES IN PROCESS*
-       Embrace industrial city life, wars
àaggressive of wars
àanxiety 
The stresses of warfare, noise…
-       Aggressive 
-       Intense

FUTURISM- EXPERIMENTAL TYPE 
-       Poets, designers, artists 
-       heavy industrial book binding 

ARCHITECTURAL VISIONS
-       cannot make them physical 
àunified 
àall built by one person
àjoining everything together 

PRE-MODERN COMMERCIAL ART
-       colourful decorative
-       clarity, functionality, readability 

GRAPHIC DESIGN FROM THE BAUHAUS ßArts school (Germany)
-       early modern graphic design 
-       big block typefaces
-       lots of white space
-       photographic 
-       experimental à trying to be different, progressive

“HIGH”3 MODERNISM
-       modernism cause was clear (after WWs)
àchange renew, progress
àmoved away from central Europe 
àdevelopment across Western world
àspread of ideas 
-       rebuilding economy
-       loses experimentation 
*rationality, functionality, universality
- established principle themselves 
àwhat and how and why graphic design should be… 

PRE-MODERNISM ARCHITECTURE 
-       sustain ideas of culture 
àwhat it should be, look like and should do
e.g. Gothic- Wells Cathedral 
-       representation of society and people…

MODERNIST ARCHITECTURE
-       aspects, lines, geometric
-       skyscrapers 
-       only technology can produce àglass, concrete, central heating…
BRUTALISMàreflects cultural ideas

MODERN ART 
àmoving towards abstraction
ànew subject matter 
ànew ways of representation 
àexperimentation 
àprogressiveness 
àexpression 
àrejection of traditional approaches 

MODERN DESIGN
-       functionality 
-       adoption of rules and principle 
-       embracing new ideas 
-       embracing technology 
-       universality
-       rationality 
-       ‘ornament is crime’
-       Rejection of traditions 


POST MODERNITY (questioning)
-       Typography àcreate spirit, not about order 
-       Revitalization of time square = rethinking 
-       X hierarchal structure 
-       Minimalist idea
-       X absolute in art
-       Industrialization became commercialism
-       Consumerism and the commodification of lifestyle
-       Decolonization 
-       Globalization 
-       Mass communication
-       Wide spread of capitalism 
-       Liberalism bleeds out into social life àrise of individual
-       Mass communication 
-       Easy and efficient travel
-       Eclecticism/ pluralism/ multiculturalism 
-       The digital age àdisplaced àindustrialization àChina (cheaper production)
-       Distribution of cultural ideas àput different cultures together 

POSTMODERNISM
= cynicism towards modernity
-       Self- criticality 
-       Question belief systems 
-       Constant self-awareness

CONCEPTUAL ART
-       Before (traditional sculpture, painting materials)
-       Now 
àidea of work of art
àthe concept behind
àemphasizing the concept 
-       Ready-made objects àpresent as piece of art  

POSTMODERNISM GRAPHIC DESIGN

= function!!!
àhas to communicate, say what it says
What is function? Legibility?
-       Only written words?
-       Sensibility of words?
-       Emotion in words?
Have own style as single person, individual

POSTMODERNISM ARCHITECTURE 
-       question how a building should look like
e.g. Revco Piano (inside out building)
e.g. Frank Gehry
àbuildings of different shapes, forms
àarchitectural mess
àimpossible to create building like that in Modernism
àincorporate with digital methods
*Anything Goes – Lyotard, cited in Malpas, 2005

Borrow ideas from the history 
= random cannibalization of all the styles in the past(postmodern) – Fredric Jameson 

HISTORICITY
-       different components from different countries àsmashed into one 
e.g. Las Vegas 
e.g. Jonathan Barnbrook = idea of using history within your work


CULTURAL APPRECIATION OR APPROPRIATION
-       embrace world culture
*fashion industry*
-       mindless appropriation of objects
-       embrace people as well as objects and religions 
àmulticulturalism 
-       depends on whos interpreted (about the reader) 
Beforeàfollowing blindly, author says what= what
*Audiences*



HYPEREALITY
-       emergence of mass media
àonce represented real things
àimages everything ànot based on real life/ objects
-       images referring to other images
-       images produce meanings rather than represent them

SUMMARY
Modernism includes the reforming developments in architecture, art, music, literature, and applied techniques. It paid a lot of significance to original works, such as paintings, sculpture, architecture, and poetry. Modern artist did not look back to the traditional ideas but looked into the future. Everyone was free to express themselves, and equality was given utmost importance. The works from that period expressed futuristic and abstract designs.
Images were usually symmetrical, structured and simplified. Typefaces were simple and basic such as sans serif fonts.

Take this image as an example, the typography used is well-structured and is clearly legible. This shows that the designers would like to clearly deliver the message and idea behind to the audience by using strong typography and visual elements. The images used in both images can also deliver the idea of being urgent like how the words say " I WANT YOU". Both of the designs have wisely made used of  typography and images to deliver and communicate ideas.

Post-Modernism was more chaotic and stylised, often with no meaning behind a design. Post-Modernist designs were all about style, creativity and how something looks. Technical aspects also were different, postmodern design included collages, photos, and also hand drawn images. 

The above image is a significant design that shows the ideology of post-modernism. The drawings and illustrations used in the design are abstract and are hard to get. They give people a feeling of randomness and that the designs are only for decoration with no real meaning behind each element. This directly reflects the idea of post-modernism of having no meanings in the usage of visual elements. 



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